As trailblazers of the early 2000s indie-Americana style, the Louisville, KY-based quintet Murder By Death finds a way of taking tried & true rock-and-roll and knocking it slightly off axis, into tottering revolutions of something eerie, emotional, immediate, lush, and uniquely theirs. Murder By Death’s eighth full-length album The Other Shore is a space-western about a ravaged Earth, its fleeing populace, and a relationship in jeopardy. It’s an epic journey rocketing toward the unknown - in the universe, within the characters represented through 11 songs, and through the band’s evolving sound. But basically, the quest poses the ultimatum: Stick with what you have, or risk it all to find something new. As the album and voyage progress, the atmosphere transitions from earthy to cosmic, sober to festive - from folksy Midwestern indie rock (“Stone”) and piano-laden devil-on-one-shoulder/angel-on-the-other Leonard Cohen-style balladry (“Only Time”), to buoyant new wave recalling The Cure (“Bloom”) and celebratory jangly singalongs (“I Have Arrived”).